Studio executives summary / pitch
|
| Time
traveling turn of the 19th century dude, invents 'twirling' time machine... |
Short plot
summary |
|
HG
Wells' turn of the century classic in which a man goes forwards in time to discover
the future of mankind - all from the comfort of his own front room (until an earthquake
destroys it...) |
What our
panel of critics thought |
|
"That
manic orchestra almost gave me a heart attack - just as soon as the picture gets
scary the orchestra jumps up and screams at you. A joy, but not one for those
with a weak bladder." "George
is a true gentleman - always putting his jacket on that young girl's shoulders
after she has just been ravaged by a plot point. I thought chivalry died a long
while ago, I am clearly mistaken." "Oh,
those naughty Morlocks: Lights for eyes, blue skin, midget beach-boy-type blond-haired
monsters with big fluffy claws, but scared of fire? George could have scared them
off by lighting a cigarette, but still he throws himself into it - pummeling them
to within an inch of their lives. Superb. Professional wrestling was never the
same after this movie." "Blue
skinned, bad hair day Morlock mayhem. I couldn't get enough of it! Was this what
Lou Ferragino based his 1970's classic Incredible Hulk on? You know, apart from
the color and those shiny eyes I think it's very likely." |
Please
tell me the ending or plot overview if necessary |
| A
man has built a time machine. He goes forward in time to find a civilization which
is populated by young, carefree guys'n'gals. Our
hero (George) befriends a gal he rescued from drowning (everyone watches without
helping). George is frustrated by the apathetic nature of the others. A
siren calls the guys'n'gals into an underground building in a trance-like state. George
finds the gal he rescued from drowning, she tells him everything. It transpires
that the world is run by the Morlocks who have battled and defeated the Eloi's.
The Morlocks are evil and George fights them to free some of the captured, be-tranced
pretty people. George
eventually finds his time machine (moved by the Morlocks) and returns to 1900
to tell his friends of his travels. Ending:
George returns (back) to the future with books he can presumably use to educate
the guys'n'gals to fight the Morlocks and thus free everyone from their slavery. |
Justify
this movie's existence in the classic strand, by
theVoiceofReason's Veritable Cornucopia |
|
A veritable
smorgasbord of time lapse excellence. Bravo! One
man and his time machine flitting through time into a future of gormless young
pretty blond type youth with not a care for knowledge. My! what a grumpy boots
our hero is, and that's even before he finds out that his time machine was moved
by horrible-blue beach-boy-type well-built-shorties with whom he has to battle
to return to his own time. Lots
of joyous screaming at the top of girls lungs and an orchestra determined to induce
heart seizure, all combine along with wonderful colors and a reasonable script,
to keep one entranced sub-hypnotically. A
good, solid, classic movie, and one which you may want to repeatedly watch for
that quick taste of paradise, so swiftly taken away by those sirens of death. |
What
snack should I eat while watching this movie? |
| Big
fruit - apples the size of a man's head. Oranges the size of melons. |
If
I were to watch this on video/DVD how best should I sit? |
| In
the classic wine women and song position enjoyed by our forefathers at
late 19th century toga parties. |
Could
this film be improved with more explosions? |
|
The explosions,
and fire in general, could do with some work. When the symbols of Morlock oppression
eventually burst into flames it looks like a cheap model is being burned. Ten
out of ten for saving money, but minus three million for reality. |
Is
there enough licky love in this film? |
|
Surprisingly
saucy. Some
half naked Morlock monster nudity (thankfully the top half). A
passionate kiss on the facial cheek - but nothing to upset an afternoon television
audience. |
How
unintentionally funny is this film? |
|
There is one
hysterically funny moment when the woman George has rescued is pulled back and
into the bushes by a fluffy pawed Morlock to screams from the orchestra... then
she just walks back out again as if nothing happened... George's
anger is a little unbelievable and some of the explanations are a bit over wordy. |
Does this film stand up to rigorous reality testing? |
| At
the last count we have 11 dimensions now. So, unfortunately, the movie is wrong
scientifically, close call though. |
Would
your house pets like this movie? |
|
This is a movie
for most exotic/unusual pets. Parrots
and other exotic birds will enjoy the almost-jungle scenery, choosing to noisily
clean their feathers throughout and squawking in the quiet moments the orchestra
isn't doing so. Moles
will enjoy the underworld moments and the fight sequence in particular. Worms
and larvae could well hatch/make a break for it when you are watching the screen.
Ensure snakes are firmly secured. |
What
can I take from this movie to make me a better person? |
| BEWARE:
Don't put an umbrella over your shoulder and twirl it quickly, you might be transported
forwards in time. |
Other
comments |
|
If you accept
the overzealous orchestra which never misses a single attempt to make you jump,
and the need for women to scream when in trouble, and ignore the burning scenery
model's, this is a reasonably good, safe movie. The time lapse photography is
superb for its time, the scenery colorful and the plot is not dumb. |