Studio executives summary / pitch
|
| Troubled
juvenile delinquent, sometimes in neck tie, and then in iconic red jacket and
white T-shirt, run riot in 1950's mansion-ville. |
Short plot
summary |
|
Troubled juvenile,
Jim Stark (James Dean), falls victim to a society dooming him to being a delinquent. Jim
meets up with (becomes father figure to) boy (Plato) who hangs on to him. Early
on a friendly police officer gives Jim a break or this could quite easily have
become a prison drama. Judy (Natalie Wood) (she with the big red lips at one point
in the movie) is equally troubled by the relationship with her father. These
three souls all meet up but trouble is only a heartbeat away... |
Rating |
| PG:
Contains moments of drunken 1950's icons, police shoot outs, overwrought angst
ridden juveniles, disappointing lack of nakedness throughout. |
What our
panel of critics thought |
|
"Why did
they make Natalie Wood wear those clown lips in the police station? I think we
should be told." "Clearly
the hood in this movie is from the Ivy League - the point of having a knife fight
in my neighborhood was to maim or kill, 'sticking it in' was de rigueur." "Would
we have remembered this movie so long had it not been for James Bean?" "Would
James Dean have succeeded had he been bald?" "My,
what a rebel - he drank that milk straight from the bottle out of the fridge!
No wonder he is always in so much trouble - damn him!" |
Please tell me the ending
|
| Our
three heroes go to a Mansion to hide from trouble, but trouble soon comes a'knockin.
Plato shoots his handgun and the police are called. The
siege situation is ended when Plato runs out, shooting. Police shoot him dead.
Jim cries, hugging his father's leg. |
Justify
this movie's existence in the classic strand. From
theVoiceof Reason.com's Veritable 'quintessential'
Cornucopia |
| Oh,
James Dean, you quintessential essence of juvenile delinquency in our 1950's,
pre Elvis, world. A consummate performance by a 24 year old still at High School,
with all the angst riddenness that situation implies. A
claustrophobic endeavor, with our hero trying to be accepted, but not being, due
to a society full of spittle, cars to trash and not enough warmth for a group
hug. A perfectly ordinary soul looking for a reason for his delinquency, but where
to look? - 'tis his society at fault, not our little Jim's. Then the killing starts... But
Jim is unable to stop the execution of Plato by the 'boys in blue', who shoot,
after Plato shoots at them first - thus bringing an end to that siege that is
all our teenage lives. Thank
the Lord, in a very loud voice, they didn't make this movie in the 1970's as those
'70s fashions would have made this a laughing stock. |
Quotable
quote (real) |
|
"You're
tearing me apart." "I
bet you're a real yo-yo." "You've
gotta do something." |
What snack should I eat while watching this movie?
|
| Bubble
gum flavored popcorn. |
If
I were to watch this at home how best should I sit? |
|
In the knife
fighting position, but sitting down or lying on your back. |
Could this
movie be improved with more bubble gum? |
|
There is a distinct
lack of bubble gum throughout, clearly a terrible oversight for this time in the
US's cultural evolution. A few more bubbles, particularly in the knife fighting
scene, would have been entertaining - a missed opportunity, are they playing for
laughs or what? |
How angst ridden
is this movie? |
|
A completely
accurate portrayal of small town hood-dom of the 1950's. Nobody understands anybody,
and, as there is no Elvis yet, there's nothing for the kids to do. Come on Elvis,
where were you babe, bring that pelvis over here! |
Which family
members would enjoy this movie? |
|
It's
difficult to place what the audience for this movie is today... Obviously aging
1950's rockers, of course. Youngsters
will be filled with horror at the dated nature of the picture. Perhaps some will
relate to the relationships in here, but maybe not. One for a rainy day, or a
James Dean retrospective. |
What can I take from this movie to make me a better person?
|
| If
you have to play a game of 'chicken', try to avoid doing it over a cliff top.
And
the most important point to take from this movie is that when you have a knife
fight the point is 'not to stick it in'... OK? |
Please estimate the amount of lipstick applied to Natalie Wood's lips. |
| 75lbs.
(Yes, her red lips in the first scene, in the police station, really do look like
two slugs.) |
How much would
you pay for a copy of this movie in goods? |
|
A mechanical
hair quiff which wobbles from side to side, and up and down. |
How teen ridden is this movie? |
|
Thankfully,
there are no teenage actors in this movie. Nobody has spots, and everyone has
immaculate hair. |
Other comments
|
| A
landmark in teen angst from the 1950's. Following this movie, juvenile delinquents
were never seen the same way again. This
movie is, of course, remembered because James Dean is in it, one of only three
movies he made before killing himself in a car accident - all very ironic as in
the movie a teen gets killed playing him at 'chicken' (this scene has always annoyed
us - they just found two cars to waste like that???)
Something for James Dean fans of course, but, if you're not, difficult to recommend,
although probably culturally important for its time, for all they tell us. |
Date of Review |
| March
9, 2003 |